Uncle Tom s Cabin

Cotton Comes to Harlem is a 1970 American neo-noir action comedy film co-written and directed by Ossie Davis and starring Godfrey Cambridge, Raymond St. Jacques, and Redd Foxx. The film, later cited as an early example of the Blaxploitation genre, is based on Chester Himes' novel of the same name. The opening theme, "Ain't Now But It's Gonna Be", was written by Ossie Davis and performed by Melba Moore. The film was one of the many black films that appeared in the 1970s and became overnight hits. It was followed two years later by the sequel Come Back, Charleston Blue (1972). Synopsis: Two Harlem cops investigate a robbery, believing that a reverend has staged it in order to steal the money he's collected for a local fundraiser. Storyline: Gravedigger Jones and Coffin Ed Johnson are two black cops with a reputation for breaking the odd head. Both are annoyed at the success of the Reverend Deke O'Mailey who is selling trips back to Africa to the poor on the installment plan. When his truck is hijacked and a bale of cotton stuffed with money is lost in the chase, Harlem is turned upside down by Gravedigger and Coffin Ed, the Reverend, and the hijackers. Hilarity ensues!Much of the humor is urban black, which was unusual in 1970. Production: The film saw the debut of Calvin Lockhart, Judy Pace, and Cleavon Little. Another debut was by Redd Foxx, already well known as a veteran nightclub comic, leading him to be considered for the TV Show Sanford and Son. Themes: Cotton Comes to Harlem is hailed by many as the first blaxploitation film, although others felt that it was merely an action comedy film. Detectives Gravedigger and Coffin Ed do not always follow the rules. They are not necessarily fighting to protect the rule of law, but they try to protect their people from racist attitudes. Reception: Ken Hanke of the Mountain Xpress called Cotton Comes to Harlem "one of the earliest and best Blaxploitation films. Box Office: Cotton Comes to Harlem is one of the most commercially successful films Hollywood produced in the 1970s starring a predominantly black cast. The film was one of the many black films that appeared in the 1970s eventually becoming a cult classic. Cotton Comes to Harlem inspired more black films during the 1970s, including more action-packed numbers such as Shaft and Super Fly. We do not own the rights to any of this film. This film is being used for historical and educational purposes only. No copyright infringement intended. Black Excellence:

Starring Godfrey Cambridge, Raymond St. Jacques, Calvin Lockhart

Dir. Ossie Davis

Three the Hard Way (1974) is a high-octane action film starring Jim Brown, Fred Williamson, and Jim Kelly. When a white supremacist group plots to poison the water supply in major U.S. cities to kill African Americans, three men unite to stop them. Combining martial arts, gunfights, and 1970s style, it became a landmark in Black action cinema. Genre: Action, Crime, Thriller Release Year: 1974 Director: Gordon Parks Jr. Starring: Jim Brown, Fred Williamson, Jim Kelly, Sheila Frazier

Starring Jim Brown, Fred Williamson, Jim Kelly

Dir. Gordon Parks Jr.

The Guy from Harlem (1977) - Full Blaxploitation Movie A private investigator from Harlem is working in Florida when he is hired by the CIA to guard an African princess. Stream Classic movies on your TV with Amazing Classics:

Starring Loye Hawkins, Cathy Davis, Patricia Fulton

Dir. Rene Martinez Jr.

Get Christie Love (1974) - Full Length Movie, Blaxploitation with Teresa Graves Teresa Graves stars as Christie Love. The newest butt-kicking officer on the police force. Her job is to help take down a gangster who is working with his girlfriend. This was the pilot for the short lived TV series "Get Christie Love". Stream Classic movies on your TV with Amazing Classics:

Starring Teresa Graves, Harry Guardino, Louise Sorel

Dir. William A. Graham

A powerful and controversial 1970s Blaxploitation classic, Welcome Home Brother Charles follows an ex-convict seeking justice in a corrupt system that tried to destroy him. Gritty, raw, and unforgettable — this film stands as a bold statement on race, revenge, and power.

Starring Marlo Monte, Reatha Grey, Stan Kamber

Dir. Jamaa Fanaka

UNCLE TOM'S CABIN (1977) | A CONTROVERSIAL SLAVERY-ERA DRAMA BlackTree Media presents Uncle Tom's Cabin, the 1977 historical drama starring John Kitzmiller, Herbert Lom and Olive Moorefield, based on Harriet Beecher Stowe's landmark 1852 novel. Set in the American South before the Civil War, the film follows Uncle Tom (John Kitzmiller), an enslaved man whose faith, dignity and humanity are tested under the brutal plantation owner Simon Legree (Herbert Lom). As enslaved families confront separation, violence and oppression, the story explores the cruelty of slavery and the struggle for freedom. Originally filmed in the 1960s, this controversial 1977 version was reedited with additional scenes by exploitation filmmaker Al Adamson, giving the classic story a more sensational presentation. Released the same year as the groundbreaking television miniseries Roots, the film offers a revealing look at how Hollywood portrayed American slavery during the 1970s. 🎬 Year: 1977 | Rating: R | Runtime: 90 minutes ⚠️ Viewer discretion advised: Contains disturbing depictions of slavery, racial violence and mature subject matter. 📺 Watch classic movies and television 24/7 at BlackTreeTV.com — Where Legends Live Forever. 🔔

Starring John Kitzmiller, Herbert Lom, Olive Moorefield

Dir. Al Adamson

🎬 RET TV POP-UP A powerful, street-level blaxploitation classic from 1974, Black Samson stars Rockne Tarkington as Samson, a nightclub owner who takes on organized crime when his community is threatened. Set against the gritty backdrop of 1970s urban America, the film blends action, attitude, and social tension — driven by a commanding lead performance and the unmistakable energy of the era. Featuring Carol Speed, William Smith, and Connie Strickland, Black Samson remains a cult favorite for fans of raw 1970s cinema, independent filmmaking, and Black-led action stories that didn’t play by Hollywood’s rules. This presentation is shared for historical context and preservation as part of RET TV’s ongoing mission to spotlight overlooked and hard-to-find films from television and film history. If this is your first time discovering Black Samson, feel free to watch at your own pace — pause, return, or let it play straight through. More rare full-length movies and unexpected finds are always on the way. — RET-TV DISCLAIMER This video is uploaded for the purposes of entertainment and historical preservation only. Some themes, language, or depictions reflect the era in which the film was produced. Viewer discretion advised. 👉

Starring Rockne Tarkington, William Smith, Connie Strickland

Dir. Charles Bail

SCOTT JOPLIN (1977) | BILLY DEE WILLIAMS BLACKTREE MEDIA SATURDAY MOVIE SHOWCASE Before jazz transformed American music, there was Scott Joplin, the King of Ragtime. Billy Dee Williams stars in this 1977 biographical drama about the legendary Black composer who helped revolutionize American music with classics including Maple Leaf Rag and The Entertainer. Directed by Jeremy Kagan, the film follows Joplin’s journey from playing piano in saloons to becoming one of America’s most influential composers, while confronting racism, personal tragedy, and the struggle to have his music recognized as serious art. Featuring: Billy Dee Williams, Clifton Davis, Margaret Avery, Godfrey Cambridge, Eubie Blake, Mabel King, Taj Mahal and Art Carney. 🎬 Year: 1977 | Rating: PG | Runtime: 96 minutes Joplin’s influence extended far beyond ragtime, helping shape the musical traditions that followed. In 1976, he received a posthumous Pulitzer Prize Special Citation for his contributions to American music. Discover the extraordinary story behind the music and one of Billy Dee Williams’ lesser-known performances. 🎬 Watch more classic movies and television streaming 24/7 at BlackTreeTV.com — Where Legends Live Forever. 🔔

Starring Billy Dee Williams, Clifton Davis, Margaret Avery

Dir. Jeremy Kagan

Death Journey (1976) | Fred Williamson’s Ultimate Crime Thriller | Saturday Feature Join Fred Williamson as Jesse Crowder in Death Journey (1976), an unforgettable crime thriller packed with non-stop action and suspense! Jesse Crowder, an ex-cop with a tough-as-nails approach, is hired to escort a key witness across the country, dodging deadly assassins hired by a ruthless crime boss, Jack Rosewald. With only 48 hours to bring the witness to court, Crowder must rely on his wits, strength, and unorthodox methods to survive the journey. Can Crowder deliver his witness in time, or will Rosewald’s men silence him first? Watch this classic 70s action film for intense chases, shootouts, and Fred Williamson in his iconic role! 📅 Chapters: 00:00 – Intro 01:50 – District Attorney's Dilemma 02:25 – 48-Hour Extension for Witness Protection 04:08 – Rosewald’s Mocking Threat 05:49 – Jesse Crowder Takes the Job 22:39 – Trouble on the Road 23:24 – Shootout and Survival 50:45 – Discovery of the Betrayal 54:25 – Crowder’s Final Showdown 1:12:22 – Conclusion and Resolution 💥 Don't forget to like, comment, and

Starring Fred Williamson, Bernie Kuby, Art Maier

Dir. Fred Williamson

MEAN MOTHER (1974) | A GRITTY BLAXPLOITATION ACTION CLASSIC BlackTree Media presents Mean Mother, a 1974 action-packed crime drama starring Dobie Gray, Dennis Safren, Luciana Paluzzi and Albert Cole. Set against the backdrop of the Vietnam War, the film follows two American soldiers whose lives take an unexpected turn after they become involved in criminal activities overseas. Years later, their paths cross again in Europe, where smuggling, betrayal and dangerous underworld connections pull them into a violent struggle for survival. Directed by Al Adamson and León Klimovsky, Mean Mother blends Vietnam-era drama, international crime and the gritty action style of 1970s exploitation cinema. Dobie Gray, best remembered for his hit songs The “In” Crowd and Drift Away, takes on a leading dramatic role in this unusual entry in the blaxploitation era. 🎬 Year: 1974 | Rating: Not Rated | Runtime: Approximately 88 minutes Rediscover a lesser-known piece of 1970s Black cinema featuring a celebrated soul singer in an unexpected action role. 📺 Watch classic movies and television 24/7 at BlackTreeTV.com — Where Legends Live Forever. 🔔

Starring Dobie Gray, Dennis Safren, Luciana Paluzzi

Dir. León Klimovsky, Al Adamson

Starring Sal Watts, James Watts, Samaki Bennett

Dir. Jack Bomay, Sal Watts

A small time con-artist gets between the FBI and a suitcase filled with money. (Josiah Howard, "Blaxploitation Cinema: The Essential Reference Guide.") Shared for historical use. demonstrates Reelblack’s intention to show respect to a true queen and pioneer within our platform, which is designed to promote Black Film, Black Culture and Black Consciousness. YouTube has DEMONETIZED our channel for posting reused content Allow us to keep the content intact and available on this platform by making a donation. Any HELP is GREATLY appreciated. Please support this channel by donating or purchasing merchandise Cash App $Reelblack PayPal.me/reelblack get Reelblack merch at Make sure to follow us on Instagram and Twitter ##### Reelblack's mission is to educate, elevate, entertain, enlighten, and empower through Black film. If there is content shared on this platform that you feel infringes on your intellectual property, please email me at Reelblack.com and info.com with details and it will be promptly removed.

Starring Christopher Joy, Tobar Mayo, Jayne Kennedy

Dir. Andrew Georgias

The Bus Is Coming (also known as Ghetto Revenge) is a 1971 American drama film written by Horace Jackson. The film is directed by Wendell James Franklin and stars Mike B. Simms and Burl Bullock. Let's get in a time machine my soul brothers and sisters and take a trip back in time for an early 1970s "blaxploitation" flick. Can you dig it! Storyline: In Center City, bus service has been discontinued because of increased violence in the predominately black community. Most recently, Joe Mitchell, a black, non-violent civil rights leader was killed in his own home by an unknown assailant with no apparent motive. A young black soldier returns home to Los Angeles from combat in Vietnam to find out that his brother had been killed and uncovers a gang of racist cops. Angered, he joins a black nationalist group to take his revenge. Synopsis: Abruptly summoned back to his old Watts neighborhood while serving his tour of duty in Vietnam, young black soldier Mike Simm investigates his brother's recent death and discovers a gang of racist cops and becomes the unlikely voice of moderation between the enraged black militants who want to riot in the streets, and the violent white extremists who are just itching for a race war. Plot: The film is about the death of a prominent Black community member Joe Mitchell, who served on the school board. "The Black Fist," a local black power political organization wants to hold a rally in response to Mitchell's death because the "town must pay it's dues". Billy Mitchell, Joe's brother returns from the Vietnam War and investigates Joe's death. He becomes aware of a gang of racist cops and eventually joins The Black Fist group to seek revenge. Tagline: The MAN Can't Stop It! Don't Miss It! Trivia: Quentin Tarantino remembers seeing this at 8 years old, along with a Jim Brown film as a double feature, and laughing at the African American audience yelling back at the screen. We do not own the rights to any of this film. This film is being used for historical and educational purposes only. No copyright infringement intended. Black Excellence:

Starring Stephanie Faulkner, Mike B. Sims, Lonnie Bradford

Dir. Wendell Franklin

Honeybaby, Honeybaby is a 1974 blaxploitation action thriller directed by Michael Schultz and starring Diana Sands in one of her most memorable and groundbreaking screen roles. Calvin Lockhart plays a mercenary who teams up with Sands. Diana Sands plays Laura “Honey Baby” Lewis, a young woman from Harlem whose game show trip to Beirut, Lebanon turns dangerous after she unknowingly becomes the target of international mercenaries. A stolen microdot containing a secret formula places her at the center of a high-stakes chase involving assassins, political intrigue, and betrayal. As Honey Baby navigates a web of danger involving political figures, impostors, and hired killers, she is forced to rely on her instincts and intelligence to survive. Unlike many films of the era, Honeybaby, Honeybaby places a Black woman at the center of a globe-trotting action narrative, blending suspense, style, and social commentary without reducing its lead to a stereotype. Honeybaby, Honeybaby remains a cult favorite within blaxploitation cinema and stands out as a rare example of a Black female-led international action thriller from the era. The film was also released in the United States under a variety of alternate titles such as, "Honeybaby, Honeybaby", "Honeybaby", and "Three Days in Beirut". Tagline: She's After Your Money, Honey. Trivia: Final film of Diana Sands. We do not own the rights to any of this film. This film is being used for historical and educational purposes only. No copyright infringement intended. Black Excellence:

Starring Diana Sands, Calvin Lockhart, Seth Allen

Dir. Michael Schultz

Black Hollywood is a 1984 feature documentary that explores the role of black actors, black directors and the black audience in American movies. it was shot entirely on location in Hollywood. Remember the early 80s - hip hop had just been born, break dancing filled clubs and streets and Eddie Murphy and late great Richard Pryor were the only two black stars making it. In an action-packed showcase of clips and interviews, Diahnne Abbott, Rosalind Cash and Alfre Woodard talk about negative stereotyping. Jim Brown, Vonetta McGee and D'Urville Martin come up with alternative solutions to the one-way-street that was "blaxploitation" and discuss new ways of advancing an independent black cinema. There is a rare interview with Lorenzo Tucker, the Black Valentino, about his career with Oscar Micheaux. Joel Fluellen and Vincent Tubbs tell memorable stories of what life was like for the few blacks working in Hollywood in the 50s and 60s (including Dorothy Dandridge). There is a marvelous speech by Sidney Poitier on accepting the Black Hall of Fame "oscar". Griffiths' Birth Of A Nation is panned. Grandmaster Flash and his "Message" is the theme tune and the writer Oscar Williams holds the whole show together with his advice to the creative outsider. We do not own the rights to any of this film. This film is being used for historical and educational purposes only. No copyright infringement intended. Black Excellence:

Starring Jim Brown, Diahnne Abbott, Rosalind Cash

Dir. Howard Johnson