Official music video for Drake “Sticky” off the new album ‘Honestly, Nevermind’ available everywhere now:

Stream the full EP here! New Starz Production & Brawlaz Music presents "ALL NIGHT" by T A M M I B L I N G Available on all major digital platforms. Song: All Night Artiste: Tammi Bling Label: New Starz x Brawlaz Music Riddim: Double Dose Genre: Dancehall Music �ddef�ddf2 License & distributed by Distrokid in 2020©️ Video was captured by Magnus Production. Insta: magnus_production_ Email: magnusproductions21.com Follow, contact, add &

6IX9INE & Cardi B - UNTOUCHABLE ft. Lil Baby (RapKing Music Video) Mix by RapKing RapKing Beatstore: Purchase beat: ►

*Squizzy Taylor | Based On A True Story | Full Crime Drama Movie* - What happens when a charismatic and sharp-witted strategist in 1919 Melbourne navigates competing commercial factions and high-stakes media relations to build a powerful enterprise footprint across the city? In this stylish, atmospheric, and captivating period drama feature, we explore a compelling narrative about strategic leadership, public relations mastery, and navigating complex personal dynamics! Directed by Kevin James Dobson, Squizzy Taylor follows the clever and debonair Squizzy (David Atkins) as he oversees his expanding operations during a time of rapid growth in historical Melbourne. Masterfully engaging with press representative Reg Harvey (Robert Hughes) to shape his public image, Squizzy works tirelessly to maintain strong professional alliances across the city, including working alongside key civic contacts like Brophy (Alan Cassell). As shift in local market territories emerges between competing groups led by Snowy Cutmore (Steve Bisley), Squizzy must rely on his sharp intellect and quick decision-making to protect his interests. Along the way, evolving personal relationships with Dolly (Jacki Weaver) and Ida (Kim Lewis) add further complexity to his journey. Join us for this cinematic journey as we explore period costumes, historic urban landscapes, and an captivating story of ambition and resilience! The remarkable story of Australia's first true gangster Squizzy Taylor - the diminutive small-time pimp, thief and gambler would rock the underworld with his legendary exploits. Melbourne, 1919 - a turf war erupts between rival Fitzroy and Richmond gangs painting the cobbled bluestones red with violence. Dapper and debonair Squizzy Taylor (David Atkins) cunningly orchestrates the battle and steps into the breach to keep an eagle eye on his interests. A master of manipulation and the media Squizzy weaves a sticky web between self-glorifying interviews with newspaperman Reg Harvey (Robert Hughes) and keeping in the pay of corrupt cop Brophy (Alan Cassell). Always the ladies' man, when Squizzy decides to throw over his moll Dolly (Jacki Weaver, Animal Kingdom) in favour of Ida (Kim Lewis), things finally become unhinged and it is only a matter of time before he faces his chief rival Snowy Cutmore (Steve Bisley, The Big Steal).Presented in a superb new transfer, retaining the original widescreen anamorphic frame, Squizzy Taylor remains a stylish and captivating entry into Australia's early crime underbelly. 👉🏼👉🏼

Two friends attend a party. Zoey and Gaby are longtime best friends who have been through it all. One night, as they attend a friend's engagement party, Zoey makes a disturbing discovery involving Gaby. Despite her unease, she helps Gaby try to contain the situation without being discovered by others at the social occasion. But it all might just test the limits of their friendship and their own boundaries with one another. Directed and written by Liliana Tandon, this short dark comedy explores loyalty, female friendship and the lines between boundaries and codependency, as two friends find themselves navigating a sticky dilemma during a party. Both mordantly funny and emotionally relatable, it paints a picture of the exceptional closeness and loyalty of female friendship, while asking how far we should go for them. Shot with a moody sheen that feels both heightened yet slightly sinister, the storytelling is a tonal high-wire act, taking the thematic concerns of THELMA AND LOUISE and updating them for a time when filmmakers like Emerald Fennell are pushing boundaries of women's representation onscreen with bleak, sometimes surreal dark comedies. We first met Gaby at what we think is a point of despair; Zoey worries that Gaby has gotten back together with her partner Sean, but the reality is much different. Zoey and Gaby's pesky problem is an undoubtedly bloody one, but it's also juxtaposed against the forced high spirits of a friend's engagement party, framing the action against the expectations and mores of marriage, relationships, love, romance and traditional feminine rites of passage. In Gaby's case, that entire enterprise has collapsed, and she must attend to the wreckage. It makes for high and heightened stakes, but Gaby isn't alone, as Zoey loyally tries to help, even as she's trying to wrap her head around what Gaby has done. As Zoey and Gaby, respectively, actors Maddy Sykes and Maria Fernandez Diez have a witty, flinty but real rapport, believably portraying best friends whose bond has persisted over time, many inside jokes and terribly damaging relationships. Now Gaby has unwittingly been freed from what emerges as the worst relationship of all -- but it also pushes Zoey into drastic action that is outlandish, brutal, bleakly hilarious and very believable to any best friend that would take a bullet for their bestie. Compact, vivid and attuned to both its characters' inner lives and the outer pressures they face, RIDE OR DIE is a particularly dark and funny riff on the old female-friendship equivalent of "holding back your best friend's hair while she throws up at a party," where one friend holds space for the other as she hits her lowest point. It vividly and economically portrays two complicated, complex women whose friendship is just as complicated. But it also gets at a fundamental truth of many women's lives: friendships are often the space where they go to feel fully seen, heard, understood and accepted, flaws and all. Most flaws don't rack up a body count, of course, but the loyalty and love at the heart of female friendship means that your best friend will probably still love you anyway. RIDE OR DIE. Courtesy of Liliana Tandon at

This is a Fan Made Unofficial Video i created for the Sticky Fingaz song: "Money Talks" Featuring Raekwon the Chef Album: Black Trash: The Autobiography of Kirk Jones (May 22, 2001) Kirk Jones (born November 3, 1973), better known by his stage name Sticky Fingaz, is an American rapper, record producer and actor best known as a member of multi-platinum hardcore rap group Onyx. Sticky Fingaz was discovered by Jam Master Jay of Run-D.M.C., who signed Onyx on his label JMJ Records provided that Sticky would be in the group. His lazy eye, raspy voice, and boundless energy brought attention to the group, and he became the frontman. Onyx went on to release three top-selling albums before Sticky Fingaz began his solo career. Black Trash: The Autobiography of Kirk Jones is the debut solo studio album by Onyx member Sticky Fingaz, released on May 22, 2001, by Universal Records. Scripted like a movie, the concept album portrays the fictional character Kirk Jones, a felon just released from prison who is now struggling to come to terms with life outside jail. Black Trash was produced by several producers including Self, Bud'da, Rockwilder, DJ Scratch, Nottz, Damon Elliott and others. It features guest appearances from Onyx's affiliate X1, Black Child, Raekwon, Still Livin, Canibus, Rah Digga, Redman, Dave Hollister, Petey Pablo, Eminem, Fredro Starr (as Firestarr), actor Omar Epps and others. The album debuted at number 44 on the US Billboard 200 and number 10 on the Top R&B/Hip Hop Albums chart. Sticky Fingaz starred in more than 80 films and television shows. In 1993, he made his acting debut in Forest Whitaker's award-winning HBO drama Strapped. His feature film credits include Spike Lee's Clockers, In Too Deep, Lockdown, Doing Hard Time and Breaking Point, but is best known for his role as "Tyrone" in Next Friday. He made his television debut in New York Undercover and Nash Bridges, but is best known for his role as Blade in the television series Blade. In 2022, he had a recurring role in the Showtime comedy series, Flatbush Misdemeanors. Sticky Fingaz wrote, produced, directed, and starred in two feature films done entirely in the genre of "hip hopera" through his production company Major Independents: A Day in the Life and Caught On Tape. Both films were released by Lionsgate Home Entertainment. In 2019, Fingaz released a movie It's About T.I.M.E., which features the format in which it was released – "Digital Album Movie", created by the rapper. On August 12, 2020, Sticky Fingaz was unanimously voted to be President of the newly formed Hunger Aid Foundation. In July 2021, Sticky Fingaz opened K. Jones & Company, a holding company that develops strategy and brand building in the culture. Support the Content: