A rodeo rider decides to quit his line of work after a serious injury, but when he visits his family and finds out that his dad is not well, he'll have to risk it one more time. Check out this star-packed cast in a first-rate contemporary Western. Rated PG Directed by Stuart Rosenberg, the director behind Cool Hand Luke and Brubaker. 1991 Starring Scott Glenn Gary Busey Kate Capshaw Ben Johnson Mickey Rooney Tess Harper Balthazar Getty Clarence Williams III Edited for YouTube ad standards Peliculas Completas en Español (subtitulado / doblado) MORE Popcornflix MOVIES, FREE on YouTube!  Action:  Romance:  Horror:  Crime:  Drama:  Comedy:  Western:  Popcornflix Channel page: Watch more free movies and TV series at Popcornflix.com, or on the Popcornflix app available on Roku, Amazon FireTV, iOS, Android, Chromecast, and AppleTV.

Joshua The Black Rider: Full Free Blaxploitation Western Movie, Full Length Cowboy Film, English: Joshua (1976), Drama. Joshua is a 1976 American film directed by Larry G. Spangler. The film is also known as Black Rider, Joshua the Black Rider or Revenge. In this post-Civil War Western, Fred Williamson stars as a vigilante on the hunt for the men who killed his mother. First titled The Black Rider. A black soldier returns from fighting for the Union in the Civil War only to find out that his mother has been murdered by a gang of white thugs. He becomes a bounty hunter, determined to track down and kill the men who killed his mother. Director: Larry G. Spangler (as Larry Spangler) Writer: Fred Williamson (story and screenplay) Stars: Fred Williamson, Cal Bartlett, Brenda Venus Runtime: 1h 30min A low budget and lower aspirations do in this underplotted 1976 western, in which Fred Williamson does a passable imitation of Clint Eastwood, managing about 40 words of dialogue in the whole film. Larry Spangler directed, with more mismatched shots than are forgivable, even in these liberal times. PG, 75 min. Synopsis: Back from fighting for the Union in the Civil War, a black soldier becomes a bounty hunter to exact revenge on the white thugs who killed his mother. DAVID F. WALKER: Some evil racists make the mistake of killing Civil War veteran Joshua’s (Fred “the Hammer” Williamson) momma. In the process of killin’ Momma Hammer, they also kidnap the wife of the white man that she worked for. Now, I don’t need to tell you Joshua ain’t givin’ a rusty shit ‘bout the wife of no white man; but as anyone who’s seen ORIGINAL GANGSTAS knows, Fred ain’t havin’ that abuse of his momma. And quicker than you can say, “Don’t be messin’ wif my momma”, our main man sets out on a trail-o-revenge. Joshua tracks them no good varmints across the open prairie; and one by one he makes sure they all contract a serious case of the deaths. One sucka gets took out with a rattlesnake, one gets spear chucked, others get filled fulla lead, and one gets blown to smithereens. It all sounds pretty exciting…but it isn’t. Like director Jack Arnold’s BOSS NIGGER (which also starred Williamson), JOSHUA draws much of its inspiration from the European-produced spaghetti westerns, which had been popular in the 1960s, but by the 1970s had become increasingly dependent on comedy to keep the genre going. While BOSS NIGGER is a technically poor film, it is fun to watch, coming across like a blaxploitation version of Enzo Barboni’s TRINITY films. JOSHUA, on the other hand is reminiscent of spaghetti westerns from the mid-to-late 1960s, playing like a Franco Nero or John Garko film – something along the lines of MASSACRE TIME or VENGEANCE IS MINE, neither of which are all that good in their own right. But even by the standards of mediocre-to-crappy spaghetti westerns, JOSHUA isn’t all it’s cracked up to be, lacking the visual flare that fueled even some of the more craptacular Eurowesterns. While not being brain-melting terrible, JOSHUA ain’t exactly good either. The Hammer is the only saving grace to the film, but he doesn’t keep the film moving the way Charles Bronson propels the similar CHATO’S LAND. And pretty much all the moving this film does is at a turtle’s pace, thanks in part to Larry Spangler’s flat, uninspired direction. Spangler also produced Williamson’s first western, THE LEGEND ON NIGGER CHARLEY, and he wrote, produced, and directed the sequel THE SOUL OF NIGGER CHARLEY (neither of which comfortably rest in the realm of what might be considered “decent” films). But beyond Spangler’s lifeless direction, we also have Williamson’s script, which takes no chances and gives no dimension to the hero. And while a dimensionless hero may be somewhat acceptable, flat and stale villains can really weigh a movie down, which is just another part of this sorry state of affairs. COPYRIGHT: All of the films published by us are legally licensed. We have acquired the rights (at least for specific territories) from the rightholders by contract. If you have questions please send an email to: info.de

A cavalry officer works to rescue a kidnapped woman in the old west. Presented By Radial Entertainment

After trouble with a crooked sheriff sends Montana drifters Will Eubanks and J.D. Reed heading for Nashville, a case of mistaken identity offers them an unexpected new profession: private investigators. Hired to find a missing singer, the pair stumble into a blackmail scheme that demands more than easy charm and a convincing bluff. Directed by Burt Kennedy and written by Jimmy Sangster, this country-flavoured caper pairs Selleck’s easygoing screen presence with Reed’s mischievous energy. Morgan Fairchild and Claude Akins join the cast, while appearances by Roy Acuff, Barbara Mandrell and Ray Stevens bring a little of Nashville’s musical personality to the adventure. 🎭 STARRING Jerry Reed as J.D. Reed Tom Selleck as Will Eubanks Morgan Fairchild as Kate / Carla Claude Akins as Woody Stone Lucille Benson as Peg Gene Evans as Lt. Blocker With Roy Acuff, Barbara Mandrell and Ray Stevens as themselves. 🎞️ FILM DETAILS Original title: The Concrete Cowboys Director: Burt Kennedy Screenplay: Jimmy Sangster Musical director: Earle Hagen Cinematography: Alan Stensvold Release date: 17 October 1979 Filming location: Nashville, Tennessee, USA 🌐 INTERNATIONAL TITLES 🇺🇸 The Concrete Cowboys / Concrete Cowboys 🇺🇸 Ramblin’ Man 🇫🇷 2 cow boys dans la ville 🇮🇹 Nashville detective 🇫🇮 Highway Action. 🤠 GENRES Adventure • Comedy • Crime • Mystery 📺 BEHIND THE FILM Originally made for television, The Concrete Cowboys preceded the 1981 CBS series of the same name. Jerry Reed returned as J.D., with Geoffrey Scott taking over the role of Will from Tom Selleck. The film also features “Breakin’ Loose,” written and performed by Reed. 💬 Would you hire Will and J.D. to solve a mystery—or expect them to become part of it? Tell us in the comments.

Harlem on the Prairie (1937) is an American race movie, billed as the first "all-colored" Western musical. The movie reminded audiences that there were black cowboys and corrected a popular Hollywood image of an all-white Old West. Stars: Herb Jeffries (Jeff Kincaid) – a popular singer with Earl "Fatha" Hines’ band, who conceived the idea for an all-Black cowboy film. Consuelo Harris – Jeffries’ love interest. Mantan Moreland – comic relief and supporting actor. Flournoy E. Miller – comedian and writer. Maceo Bruce Sheffield (Wolf Cain) -- the villain. Spencer Williams (Doc Clayburn) The Four Tones – musical quartet providing songs including the title track "Harlem on the Prairie" and "Romance in the Rain". The film’s music and singing were a major draw, making it stand out from typical B-Westerns of the era. Harlem on the Prairie is a “race film,” meaning the film stars an all-Black cast for segregated audiences. Race films were made between the 1910s through the early 1950s and produced outside major Hollywood studios. Jeffries started as a singer, and while on tour, he was angered that movie theaters were segregated to watch westerns starring white actors. Jeffries felt Black westerns would be a positive role model for African American youth. A fine singer who had grown up watching westerns and riding horses, Herb Jeffries spearheaded the creation of, starred in, and wrote the songs for Harlem on the Prairie, the first all-Black western musical. The film was a huge success, and Jeffries — with his skin reportedly darkened to make sure he was "Black enough" — went on to make a handful more, distributing the films well beyond the segregated southern houses for which they were initially intended. (There were rumors that Jeffries was actually white and passing for "colored") Harlem on the Prairie was filmed on location at the Walker Ranch in Newhall, California, and the Iverson Ranch, Chatsworth, California. It was produced by Associated Features. President and chief producer Jed Buell spent less than $50,000 on this picture. Plot: A cowboy helps a pretty young woman find lost gold. The film was so successful that Sack Amusements executive Richard C. Kahn approached Jeffries about continuing the saga of the black cowboy. A 1940 newspaper credited the film with holding the largest box-office profits of any all-African American film. Reception: While the acting and production quality were considered modest, the film was popular with Black audiences and is valued today for its historical importance rather than cinematic excellence. It remains a landmark in African American cinema as the first all-Black Western musical and a pioneering example of representation in Hollywood. We do not own the rights to any of this film. This film is being used for historical and educational purposes only. No copyright infringement intended. Black Excellence:

Bryant McFadden and Emory Hunt join CBS Sports HQ to recap the Monday Night Football matchup between the Dallas Cowboys and the Philadelphia Eagles.

Download the PrizePicks app today and use code SHANNON to get $150 in lineups after you win first $5 lineup! Get harder, longer-lasting erections with Ro Sparks: $15 off first order of medication to get hard at BigXthaPlug sits down on Club Shay Shay for a conversation about his rise in Texas hip-hop, losing over 100 pounds, his football background, family, fatherhood, money, and the realities of the music industry. The multiplatinum rapper opens up about his fourth studio album, Take Care, and why his music becomes more personal with every release. BigXthaPlug discusses his weight loss journey, going from nearly 475 pounds to making major lifestyle changes through the gym, healthier eating habits, and staying active. He explains how losing weight has helped him feel better and perform onstage with more energy. BigXthaPlug talks about embracing his confidence, performing shirtless, representing bigger men in hip-hop, and bringing his athleticism and dance moves to the stage. He also shares his favorite Dallas slang, Southern hospitality, and the Texas culture that shaped him. Before becoming a successful rapper, BigXthaPlug played college football and grew up competing on the field. He discusses playing offensive and defensive line, his aggressive playing style, his football ambitions, and how his experiences growing up influenced his mentality. He also talks Texas football, the Houston Texans, Dallas Cowboys, Texas Longhorns, and his love for sports. BigXthaPlug gets candid about the music industry's fake friendships, artists collaborating for business rather than genuine relationships, and the challenges of navigating fame. He reflects on making money, supporting family members, dealing with entitlement, and learning to set boundaries with people who expect him to provide for them. The rapper opens up about his struggles after college football didn't work out, spending time in jail, missing his son's first birthday, and promising to change his life for his children. He explains why providing for his family became a major motivation behind his music career and how he continues to support people who once gave up on him. He also shares stories about his first major purchases, including a Dodge Charger, buying a home for his son, and purchasing a Rolls-Royce during a difficult emotional period. Shannon Sharpe and BigXthaPlug also discuss relationships, heartbreak, marriage, touring with Kevin Gates, collaborations with artists including Shaboozey, and his experience appearing in a movie alongside Glen Powell. BigXthaPlug reflects on fatherhood, mental health, fame, and staying true to himself while building his career. ​ Buy LePortier:

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On First Take, Stephen A. Smith, Chris "Mad Dog" Russo, Kimberley A. Martin and Jeff Saturday join Shae Cornette to talk about the Dallas Cowboys. 0:00 Jerry Jones' comments 4:10 Current state of the Cowboys 10:00 Dallas' upcoming schedule ✔️

On Big Day with Peter Schrager, Mike Garafolo and Jason McCourty join Peter Schrager for 4 Big Questions, discussing what's next in the NFL trade market, whether the Cleveland Browns' surprising start is sustainable and when Fernando Mendoza should get his opportunity. Plus, the crew weighs in on whether the Dallas Cowboys should be favored over the Giants in the NFC East. 0:00 4 Big Questions 0:20 What's next in the NFL trade market? 3:20 Is the Browns' surprise start sustainable? 6:23 When is it time for Fernando Mendoza? 9:03 Giants' bye week 9:47 Should the Cowboys be favored over the Giants in the NFC East? ✔️