Raisin in the Sun is a 1989 TV adaptation of Lorraine Hansberry's 1959 Broadway play (previously filmed in 1961). Originally broadcast February 1, 1989, Raisin in the Sun was the eighth-season opener for PBS' American Playhouse. For the purposes of this version, a scene from the play that was removed during its original Broadway run is reinstated. Synopsis: An African-American family hopes to use a $10,000 legacy left them by the family's late father to move out of the Chicago projects and into a white neighborhood. Spearheading the move is matriarch Esther Rolle, who wants to open more opportunity doors for herself and her family. Rolle's son Danny Glover is bitter about the move; he'd hoped to use the inheritance to open his own business. Most of the play involves the heated battles between the idealistic Rolle and the hostile Glover, who feels that moving into an all-white suburb will hinder rather than help his future. Storyline: A TV adaptation of the Lorraine Hansberry drama about race relations in America in the 1950s. It is the story of a black American family torn between a mother's pursuit of the middle-class dream, and her son's desire to begin a new life. Plot: A substantial insurance payment could mean either financial salvation or personal ruin for a poor Black family. We do not own the rights to any of this film. This film is being used for historical and educational purposes only. No copyright infringement intended. Black Excellence:

Starring Starletta DuPois, Lou Ferguson, John Fiedler

Intro - You Should Be Dancing / Alone Massachusets To Love Somebody Words Closer Than Close Islands In The Stream Our Love (Don't Throw It All Away) Ft. Andy Gibb Night Forever / More Than a Woman Lonely Days New York Mining Disaster 1941 I Can't See Nobody And The Sun Will Shine Nights On Broadway How Can You Mend a Broken Heart Heartbreaker Guilty Immortality Ft. Celine Dion Tragedy I Started a Joke Grease Jive Talkin' How Deep Is Your Love Stayin' Alive You Should Be Dancing ----------------------------------------------- Bee Gees, performing live concert at One Night Only Don't forget buy the original DVD © 2013 Bee Gees

Hallelujah is a 1929 American Metro-Goldwyn-Mayer musical featuring an all-black cast directed by King Vidor and starring Daniel L. Haynes and Nina Mae McKinney. Filmed in Tennessee and Arkansas and chronicling the troubled quest of a sharecropper, Zeke Johnson (Haynes), and his relationship with the seductive Chick (McKinney), Hallelujah was one of the first films with an all-African American cast produced by a major studio. (Although frequently touted as Hollywood's first all-black cast musical, that distinction more properly belongs to Hearts in Dixie, which premiered several months earlier.) It was intended for a general audience and was considered so risky a venture by MGM that they required King Vidor to invest his own salary in the production. Vidor expressed an interest in "showing the Southern Negro as he is" and attempted to present a relatively non-stereotyped view of African-American life. Plot: A sharecropper decides to become a preacher after falling for a vamp from the city. Development: Years before creating Hallelujah, King Vidor had longed to make a film employing an all-African American cast. He had floated the idea around for years but "the studio kept turning the idea down". Vidor’s was in Europe during 1928 promoting his film The Crowd, when heard of talking motion pictures emerging in the United States. He wanted an all-African American cast to sing "Negro spirituals" after he had seen the success of it on Broadway. Vidor stated, "If stage plays with all Negro casts, and stories like those by Octavus Roy Cohen and others, could have such great success, why shouldn’t the screen make a successful Negro play?" Vidor was able to convince Nicholas Schenck, who was the president of MGM at the time, to get the movie made by framing it more as a film that depicted African American’s sexual deviance. Schenck put it simply to Vidor, "Well, if you think like that, I’ll let you make a picture about whores". Vidor received the inspiration to create this film based on real incidents he witnessed as a child during his time at home in the south. He observed: "I used to watch the Negroes in the South, which was my home. I studied their music, and I used to wonder at the pent-up romance in them". Vidor began shooting in Arkansas, Memphis and Southern California at the MGM studios. Hallelujah was King Vidor's first sound film, and combined sound recorded on location and sound recorded post-production in Hollywood. King Vidor was nominated for a Best Director Oscar for the film. Given the equipment available at the time, the film's soundtrack was a technical achievement, employing a much wider range of editing and mixing techniques than was generally used in "talkies" in this period. The Music: The film gives, in some sections, an authentic representation of black entertainment and religious music in the 1920s, though some of the sequences are Europeanized and over-arranged. A sequence which is of vital importance in the history of classic jazz is in the dancehall, where Nina Mae McKinney performs Irving Berlin's "Swanee Shuffle." Although actually filmed in a New York studio using black actors, the sequence gives an accurate representation of a low-life black dance-hall - part of the roots of classic jazz. Most Hollywood films of the period sanitized black music. Hallelujah and Black Stereotypes: Hallelujah was one of the early projects that gave African Americans significant roles in a movie, and though some contemporary film historians and archivists have said that it had "a freshness and truth that was not attained again for thirty years", a number of contemporary film historians and archivists agree that Hallelujah exhibits Vidor’s paternalistic view of rural blacks that included racial stereotyping. Reception: Exhibitors were worried that white audiences would stay away due to the black cast. They hosted two premieres, one in Manhattan and one in Harlem. The Black people who came to watch the film in Manhattan were forced to sit in the balcony. Hallelujah was commercially and critically successful. Photoplay praised the film for its depiction of African Americans and commented on the cast: "Every member of Vidor's cast is excellent. Although none of them ever worked before a camera or a microphone before, they give unstudied and remarkably spontaneous performances. That speaks a lot for Vidor's direction." Mordaunt Hall, in The New York Times, wrote approvingly of the all-Black cast, stating, "Hallelujah!, with its clever Negro cast, is one of the few talking pictures that is really a separate and distinct form of entertainment from a stage play". The combination of two groundbreaking aspects of the film, audible dialogue and an all-black cast, set the movie apart from its contemporaries. Hallelujah entered the public domain on January 1, 2025. Black Excellence:

The Great White Hope is a 1970 American biographical romantic drama film written and adapted from the 1967 Howard Sackler play of the same name. The film was directed by Martin Ritt, starring James Earl Jones, Jane Alexander, Chester Morris, Hal Holbrook, Beah Richards and Moses Gunn. Jones and Alexander, who also appeared in the same roles in the stage versions, received Best Actor and Actress Academy Award nominations for their performances. This unflinching look at racism, pride, and perseverance remains painfully relevant today. The film and play is based on the true story of boxer Jack Johnson and his first wife, Etta Terry Duryea, and the controversy over their marriage and Duryea's death by suicide in 1912. The Great White Hope is a powerful drama that explores the resilience and struggle of a Black heavyweight boxing champion, Jack Jefferson, as he faces relentless challenges from a society intent on his downfall. Based on true events, The Great White Hope tells the story of Jefferson and his white partner, Eleanor, whose relationship stirs controversy and hostility. With themes of racial prejudice, love, and perseverance, this cinematic gem dives deep into the struggles and sacrifices of a man determined to rise above society’s expectations. Directed by the acclaimed Martin Ritt and starring the legendary James Earl Jones alongside Jane Alexander, The Great White Hope brings heart-wrenching moments, raw performances, and an unflinching look at race and identity in America. Plot: A Black champion boxer and his white female companion struggle to survive while the white boxing establishment looks for ways to knock him down. Synopsis: Jack Jefferson (James Earl Jones) is the boxing heavyweight champion of early 1910s America. But as a black man, he's not only fighting other boxers, but discrimination and prejudice as well. The boxing fans and press resent the idea of a black champion and are actively searching for a "great white hope" that can defeat him. But it's Jefferson's activities outside the ring, primarily involving the white Eleanor Bachman (Jane Alexander), that may prove to be his downfall. Storyline: Boxer Jack Jefferson (James Earl Jones) is the world's reigning heavyweight boxing champion. There's just one problem: he is also the first Black heavyweight champion, which bothers a lot of people. Jack's celebration is cut short when he is framed for crossing a state line with Eleanor, his white fiancée (Jane Alexander in her first film role), a violation of the Mann Act. Facing a prison sentence, Jack escapes to Europe with Eleanor in tow, encountering problems in England, and then France, and eventually landing in Cuba. In Havana, Jack agrees to enter the boxing ring for what might be the bout of his life. Both Jones and Alexander were nominated for Oscars. Tagline: The most honored play in the history of Broadway... becomes an electrifying motion picture! Reception: The film opened to positive responses from both audiences and critics. They especially loved the performances of both James Earl Jones and Jane Alexander, who were in the original stage play: they won Tony Awards for the play. Jones would get bigger roles after this film, and Alexander made a debut here. Jones later contributed commentary to a documentary about Jack Johnson that would sum up this film, saying: "To know the story of Jack Johnson is to know that it is a study in hubris." Critic Emanuel Levy wrote called it a "well-acted drama". Variety said: “Jones' re-creation of his stage role is an eye-riveting experience. The towering rages and unrestrained joys of which his character was capable are portrayed larger than life.” We do not own the rights to any of this film. This film is being used for historical and educational purposes only. No copyright infringement intended. Black Excellence:

Starring James Earl Jones, Jane Alexander, Lou Gilbert

Carbon Copy is a 1981 comedy-drama film directed by Michael Schultz, produced by RKO Pictures and Hemdale Film Corporation, and released by Avco Embassy Pictures. The film stars George Segal, Susan Saint James, Jack Warden and Denzel Washington in his film acting debut. It was the first feature film produced by RKO after a break of many years. It is an adaptation of Stanley Shapiro's 1970 play The Engagement Baby, which starred Barry Nelson and Clifton Davis and closed on Broadway after just four performances. Synopsis: A white executive's life takes an unexpected turn when his illegitimate black son shows up. Storyline: When a rich white corporate executive finds out that he has an illegitimate black son, things start falling apart for him at home, work, and in his social circles. We do not own the rights to any of this film. This film is being used for historical and educational purposes only. No copyright infringement intended. Black Excellence:

Starring Denzel Washington, George Segal, Susan Saint James

The Old Settler is a 2001 television drama film that is an adaptation of John Henry Redwood's play of the same name. Real life sisters Phylicia Rashad and Debbie Allen share their on-and-off stage charm in this production of The Old Settler, a powerful mix of comedy and drama set in Harlem during the 1940s. The Old Settler is directed by Debbie Allen. Quilly (Debbie Allen) has separated from her husband and has moved in with her unwed sister Elizabeth (Phylicia Rashad), an "old settler" (forties slang for a middle-aged woman with no marriage prospects). Quilly is dismayed that her sister has rented a room in their apartment to a handsome young man named Husband Witherspoon (Bumper Robinson) who has traveled from South Carolina in search of his sweetheart Lou Bessie (Crystal Fox). Unable to fit into Lou's fast-paced lifestyle, he courts Elizabeth, who is much older, causing tension between the two sisters. Quilly is both jealous and certain the relationship can never work. We do not own the rights to any of this film. This film is being used for historical and educational purposes only. No copyright infringement intended. Black Excellence:

Starring Phylicia Rashād, Debbie Allen, Bumper Robinson

Cindy is a 1978 American musical television movie, shot on videotape and first broadcast on the ABC television network, with an entirely African-American cast. Directed by William A. Graham, the film is an urbanized retelling of Cinderella. In this African-American retelling of "Cinderella," southern girl Cindy (Charlayne Woodard) must move to World War II-era Harlem, N.Y., after her father remarries. Cindy's new life becomes fraught with trouble as she finds herself tormented by her overbearing stepmother and relentless stepsisters. Cindy sneaks out one night and meets gallant Marine Joe Prince (Clifton Davis), falling for him instantly. But will Cindy ever see Prince again? An old tennis shoe may hold the key to her happiness. Plot: After World War II, Cindy (Charlayne Woodard) has moved from the south to live in Harlem with her newly blended family. She finds herself constantly abused by her stepmother and stepsisters. Her father (Scoey Mitchell) provides some comfort but cannot prevent the abuse entirely. One night, she meets Captain Joe Prince (Clifton Davis) and is swept off her feet. A romance soon ensues. Storyline: This version of the Cinderella tale with an all-black cast has Cinderella, who wants to marry a dashing army officer, finding out out that her father, who she thought had an important job at a big hotel, is actually the men's room attendant. Her wicked stepmother finds out, too, and complications ensue. Synopsis: A sparkling musical updating to World War II Harlem of the Cinderella story, featuring virtually an all-black cast, with an original score and several twists at the end. Charlayne Woodard and Nell-Ruth Carter later were reunited in the Broadway smash "Ain't Misbehavin" for which the latter won the Tony Award. We do not own the rights to any of this film. This film is being used for historical and educational purposes only. No copyright infringement intended. Black Excellence:

Starring Mia Tuco, Annie Lumsden, Fergal McTigue

Music video by DaBaby performing BOP On Broadway (Hip Hop Musical).© 2019 Interscope Records

This is a fully animated movie of the musical "EPIC" by . This was only possible because of the incredible cast of EPIC and all the talented animators. Please support the official release and check out the official release and the channels, which I will link down below! I edited my favourite animations together, added a bit of colour grading to some of them, and created the subtitles for most songs to sing along. I also included some of the canon animatics. Disclaimer: Not all animatics are canon. This is not an official movie. Music written and produced by Credit song by Animators: Gigi GwendyN2SD Studios Drawmisu Camalemsy Novi Nathan Kuan Jenny Canceran Mircsy .drawer.mircsy Luiza Xavier Mazzel WolfyTheWitch El_Crafts Ximena Natzel Duvetbox Tododokii Tamattuta AnniFlamma Crashite Laritamiauu Neal Illustrator Clover Stella Luna Rosarix Ainhoa Velasco Yon Hara ButtPowwPixel Liam Davidson Zieru Samsational Arts Samantha_artt julsunart Erlance Amymation Eilan Zis Nya Tyan Casserolie Scilladraws / Scilla_nimations Drawing_angie ShiQing47 Uitzil Smoolio ------------------------------- Act 1 --------------------------------- Troy Saga: 1. The Horse and the Infant 0:00 2. Just a Man 3:50 3. Full Speed Ahead 6:20 4. Open Arms 9:15 5. Warrior of the Mind 12:34 Cyclops Saga: 6. Polyphemus 16:18 7. Survive 19:54 8. Remember Them 23:08 9. My Goodbye 27:13 Ocean Saga: 10. Storm 30:31 11. Luck Runs Out 33:11 12. Keep Your Friends Close 36:16 13. Ruthlessness 40:21 Circe Saga: 14. Puppeteer 44:45 15. Wouldn't You Like 48:52 16. Done For 51:46 17. There Are Other Ways 54:11 Underworld Saga: 18. Underworld 57:40 19. No Longer You 1:01:55 20. Monster 1:04:43 ------------------------------- Act 2 --------------------------------- Thunder Saga: 21. Suffering 1:08:28 22. Different Beast 1:10:59 23. Scylla 1:14:27 24. Mutiny 1:17:19 25. Thunder Bringer 1:22:12 Wisdom Saga: 26. Legendary 1:26:22 27. Little Wolf 1:29:36 28. We'll Be Fine 1:32:48 29. Love in Paradise 1:34:51 30. God Games 1:39:00 Vengeance Saga: 31. Not Sorry for Loving You 1:44:31 32. Dangerous 1:47:36 33. Charybdis 1:51:00 34. Get in the Water 1:53:14 35. Six Hundred Strike 1:56:56 Ithaca Saga: 36. The Challenge 2:00:28 37. Hold Them Down 2:03:50 38. Odysseus 2:06:54 39. I Can't Help but Wonder 2:12:30 40. Would You Fall in Love with Me Again 2:17:22 ---------------------------- The End ------------------------------- Credits 2:23:13

A deep space mining vessel has been adrift for two years. It is suspected the crew brutally killed each other, but the reason for the bloodbath is unknown. A rescue crew is sent to find if there are any survivors, what happened and why. Alternate title Teleios Directed by Ian Truitner 2017 Starring: Sunny Mabrey , Lance Broadway , Michael Nouri and Weetus Cren Edited for YouTube ad standards MORE Popcornflix MOVIES, FREE on YouTube!  Action:  Romance:  Horror:  Crime:  Drama:  Comedy:  Western:  Popcornflix Channel page: Watch more free movies and TV series at Popcornflix.com, or on the Popcornflix app available on mobile devices, Roku, Xbox, Amazon Fire, Sony, PlayStation and many more! , Full length free movies and TV series. Like us on Facebook: Follow us on Twitter: Popcornflix is owned/operated by Screen Media Ventures

On the bustling boardwalk of Coney Island, Mrs. Delano runs a popular penny arcade with her three children, providing a front for her eldest son's illegal bootlegging operations. When her weak-willed younger son, Little Harry (James Cagney in his historic film debut), gets dragged into a bootlegging double-cross, a confrontation ends in a fatal shooting. Desperate to protect her family, Mrs. Delano attempts to frame an innocent man for the crime, triggering a web of blackmail, guilt, and heartbreak. Based on the hit Broadway play Penny Arcade, Sinners' Holiday (1930) is an fast-paced pre-Code crime drama that introduced moviegoers to the iconic screen presence of James Cagney and Joan Blondell. 🎬 DIRECTOR John G. Adolfi ✍️ WRITERS Marie Baumer — based upon the play: “Penny Arcade” Harvey F. Thew (as Harvey Thew) — screen adaptation George Rosener — dialogue 🎭 CAST Grant Withers — Angel Lucille La Verne (as Lucille LaVerne) — Mrs. Delano Warren Hymer — Mitch James Cagney — Harry Delano Joan Blondell — Myrtle Noel Madison — Buck Evalyn Knapp — Jennie Otto Hoffman — George Hank Mann — Happy Ray Gallagher — Joe Genres: Adventure, Crime, Romance 🎬 ALSO KNOWN AS (AKA) Sinners’ Holiday 🎬 🇦🇺 🇨🇦 🇮🇳 🇮🇪 🇳🇿 🇿🇦 🇬🇧 🇺🇸 La vacanza del peccatore 🇮🇹 Праздник грешника (Russian) ☭ Penny Arcade (Working Title) 🇺🇸 Women in Love (Working Title) 🇺🇸