Cornbread, Earl and Me is a 1975 American coming-of-age drama film that stars Tierre Turner, Laurence Fishburne (in his film debut), and NBA player Jamaal Wilkes. It was directed and co-produced by Joseph Manduke. The film is loosely based on the 1966 Ronald Fair novel Hog Butcher. Plot: High school basketball star Nathaniel "Cornbread" Hamilton (Keith Wilkes) is the pride of his urban neighborhood, and he appears destined for big things on the court and in the classroom. But a dare leads to a fatal misunderstanding when Nathaniel is shot dead by police who take him for someone who's just committed a violent crime. As police officers try to protect one of their own, members of the oppressed African-American community do what they must in order to find justice. Storyline: Nathaniel "Cornbread" Hamilton was the black urban dream and a hero to youngsters Wilford Robinson and Earl Carter. Shortly before he would have become the first man from his community to go to college, he demonstrates his scholarship-winning running ability to his friends and admirers in the neighborhood. At the same time, the police are on a manhunt for an armed rapist. They mistake Cornbread for the rapist and shoot him dead in the street. In the aftermath of the community's shattered dream, and in the face of an intimidating police cover-up, Wilford is determined not to betray the memory of his hero. We do not own the rights to any of this film. This film is being used for historical and educational purposes only. No copyright infringement intended. Black Excellence:

Starring Moses Gunn, Rosalind Cash, Bernie Casey

The Landlord is a 1970 American comedy-drama film directed by Hal Ashby, adapted by Bill Gunn from the 1966 novel by Kristin Hunter. The film stars Beau Bridges in the lead role of a privileged and ignorant white man who selfishly becomes the landlord of an inner-city tenement, intending to evict the occupants, unaware that the people he is responsible for are low-income, streetwise residents. Also in the cast are Lee Grant, Diana Sands, Pearl Bailey, and Louis Gossett Jr. The film was Ashby's directorial debut. Plot: Naïve 29-year-old Elgar Enders buys a building in a black Brooklyn ghetto to evict the tenants and upgrade it. But instead, he grows fond of the tenants, especially a black woman married to a black radical, and falls in love with a mixed-race girl while his wealthy parents disapprove. Storyline: Elgar Enders, who lives off an allowance from his wealthy parents, buys an inner-city tenement in Park Slope, Brooklyn, which is undergoing gentrification, planning to evict the occupants and construct a luxury home for himself. (A one-man urban renewal project). However, once he ventures into the tenement, he grows fond of the low-income black residents. Enders decides to remain the landlord and help fix the building. He rebels against his WASP upbringing and, to his parents' dismay, romances a black woman and a biracial woman. Trivia: Charlie Murphy, older brother of Eddie Murphy, lived in the neighborhood where the film was shot, and he appears in a brief scene as a boy stealing Elgar's hubcaps. Historical Context: In the early seventies, Hollywood studio executives began to realize there was a huge untapped market for films dealing with Afro-Americans - a situation made obvious by the unexpected success of Cotton Comes to Harlem (1970), an action-comedy film. In the ensuing rush to capture this previously ignored audience, the "blaxploitation" film was born, but the majority of these films were urban crime thrillers like Shaft (1971) and Superfly (1972). Films which attempted to explore racial issues or feature complicated black and white relationships were a rarity, but one unique exception was The Landlord (1970), which was virtually ignored by the public when it opened. Critical Reaction: The film garnered mostly positive reviews from critics. On Rotten Tomatoes, it has received a 93% overall approval rating from 14 critics. Upon its release, New York Times film critic Howard Thompson, called the film "a wondrously wise, sad and hilarious comedy." On September 19, 2007, journalist Mike Hale discussed the film in a New York Times article called "Before Gentrification Was Cool, It Was a Movie". Hale praised the film for tackling the racial tension that arose in the aftermath of the assassination of Martin Luther King Jr. and wrote in surprise how the film "would disappear after its 1970 release – rarely shown and just as rarely discussed." We do not own the rights to any of this film. This film is being used for historical and educational purposes only. No copyright infringement intended. Black Excellence:

Starring Beau Bridges, Lee Grant, Diana Sands

After losing his father, Ethan Nichols inherits one of the largest greenhouses in the country, just as the world faces a devastating threat from an approaching asteroid. As society begins to unravel, Ethan grapples with personal betrayal, overwhelming loneliness, and the growing fear that survival may come at the cost of his humanity. Seeking refuge in his family’s bunker, Ethan endures the harsh aftermath of the impact, wrestling with physical injury and emotional despair. When a faint voice crackles over his radio, Ethan discovers he's not as alone as he believed.

Starring Michiel Rensen, Maxie Li, Riki Antonievich

Attica is a 1980 American television film directed by Marvin J. Chomsky. It stars Morgan Freeman, Henry Darrow, Charles Durning, Joel Fabiani and Anthony Zerbe. It depicts the events leading up to and during the 1971 Attica Correctional Facility riot and the aftermath. Storyline: A TV-movie re-creation of the tragic events which followed the Attica Correctional Facility rebellion of September 9, 1971. Inmates demanding better food and living conditions took 38 guards as hostage. Negotiations begin immediately, only to continually break down thanks to uncompromising stubbornness on both sides. Four days into the crisis, the rebellion ends in a bloodbath, with state troopers firing on the prisoners, killing several of the guards in the process. Based on the eyewitness reporting of the New York Times' Tom Wicker, who was one of the civilian negotiators during the stalemate. We do not own the rights to any of this film. This film is being used for historical and educational purposes only. No copyright infringement intended. Black Excellence:

Starring Henry Darrow, Charles Durning, Joel Fabiani

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