When a young girl suffers years of horrendous sexual abuse from her monster of a father, she finally breaks spawning a cold, hateful and manipulative teenager, that will stop at nothing, to get her own way - including murder. Please visit our website to get more information: 🔔Love unique stories and talented filmmakers?

Starring Sheri Davis, Paul T. Taylor, Arianna Harris

Cindy is a 1978 American musical television movie, shot on videotape and first broadcast on the ABC television network, with an entirely African-American cast. Directed by William A. Graham, the film is an urbanized retelling of Cinderella. In this African-American retelling of "Cinderella," southern girl Cindy (Charlayne Woodard) must move to World War II-era Harlem, N.Y., after her father remarries. Cindy's new life becomes fraught with trouble as she finds herself tormented by her overbearing stepmother and relentless stepsisters. Cindy sneaks out one night and meets gallant Marine Joe Prince (Clifton Davis), falling for him instantly. But will Cindy ever see Prince again? An old tennis shoe may hold the key to her happiness. Plot: After World War II, Cindy (Charlayne Woodard) has moved from the south to live in Harlem with her newly blended family. She finds herself constantly abused by her stepmother and stepsisters. Her father (Scoey Mitchell) provides some comfort but cannot prevent the abuse entirely. One night, she meets Captain Joe Prince (Clifton Davis) and is swept off her feet. A romance soon ensues. Storyline: This version of the Cinderella tale with an all-black cast has Cinderella, who wants to marry a dashing army officer, finding out out that her father, who she thought had an important job at a big hotel, is actually the men's room attendant. Her wicked stepmother finds out, too, and complications ensue. Synopsis: A sparkling musical updating to World War II Harlem of the Cinderella story, featuring virtually an all-black cast, with an original score and several twists at the end. Charlayne Woodard and Nell-Ruth Carter later were reunited in the Broadway smash "Ain't Misbehavin" for which the latter won the Tony Award. We do not own the rights to any of this film. This film is being used for historical and educational purposes only. No copyright infringement intended. Black Excellence:

Starring Mia Tuco, Annie Lumsden, Fergal McTigue

The 25th Anniversary edition of Stankonia is out now 💥 Stream and get it on vinyl! Official HD Video for "Southernplayalisticadillacmuzik" by Outkast Listen to Outkast:

A young waitress marries a wealthy Oklahoma oilman and is plunged into the deadly world of abuse. When she leaves him, he stalks her, kidnaps her and holds her hostage. Presented by FilmRise, a Radial Entertainment Company

A Lawless Town Hired Two Bounty Hunters, But They Were Hell Rode In | Western Two hardened bounty hunters arrive in a remote Western town while tracking a dangerous outlaw. They soon learn the town is without a sheriff, and before long they assume the role themselves—against the bitter resistance of the locals. With badges they never earned, they terrorize the town, abuse their authority, exploit the people for money, and indulge in chaos, all while biding their time for a chance to settle the score with the man they came for 00:00 00:00 | The Hunt Begins 05:00 10:00 | Riding Into Town 10:00 15:00 | A Town Without Law 15:00 20:00 | Taking the Badge 20:00 30:00 | New Law, Old Guns 30:00 40:00 | Hell in the Streets 40:00 50:00 | Trouble Brews 50:00 58:00 | The Outlaw’s Shadow 58:00 1:05:00 | Cracks in Control 1:05:00 1:15:00 | Showdown at High Noon 1:15:00 1:20:00 | After the Smoke Clears 1:20:00 – 1:24:00 | The Town Remembers Cast: Fred Williamson, R.G. Armstrong, William Smith Classic Western Movie 1970s

Lost Files | Award-Winning Drama Thriller Romance Film In her latest gripping investigative project, award-winning documentary filmmaker Lauren Wilde dives deep into the harrowing world of death row, exploring the profound, often devastating ripple effects that executions leave on small, tight-knit local communities. Her lens focuses on Hillsdale, Oregon, where local car mechanic and graphic artist Kevin Reese is facing the ultimate penalty. Despite a mild struggle with substance abuse, Kevin is a well-liked figure in town—yet he is one of only two prisoners out of thirty in the state currently scheduled to receive a lethal injection. However, as Lauren begins her filming, she hits an impenetrable wall of silence. The local community flatly refuses to cooperate, and Detective Tom Redler—who is also serving as the governor-appointed liaison for the case—claims to have mysteriously "lost the file." Sensing a cover-up, Lauren digs deeper. Guided by testimonies from Kevin's employer and roommate, she begins to piece together a disturbing puzzle, rapidly becoming convinced that Kevin is entirely innocent and was deliberately framed. As the execution clock ticks down, Lauren joins forces with forensic expert Patty Sutton and Redler’s own skeptical deputy. Together, they uncover a trail of corrupted evidence pointing to a terrifying conclusion: Detective Redler himself is the actual killer, and he is willing to commit further violence to ensure his secrets die with Kevin on the gallows. If you love indie romantic dramas and emotional healing stories, this full movie is a must-watch. Don't forget to like, comment, and

Joshua The Black Rider: Full Free Blaxploitation Western Movie, Full Length Cowboy Film, English: Joshua (1976), Drama. Joshua is a 1976 American film directed by Larry G. Spangler. The film is also known as Black Rider, Joshua the Black Rider or Revenge. In this post-Civil War Western, Fred Williamson stars as a vigilante on the hunt for the men who killed his mother. First titled The Black Rider. A black soldier returns from fighting for the Union in the Civil War only to find out that his mother has been murdered by a gang of white thugs. He becomes a bounty hunter, determined to track down and kill the men who killed his mother. Director: Larry G. Spangler (as Larry Spangler) Writer: Fred Williamson (story and screenplay) Stars: Fred Williamson, Cal Bartlett, Brenda Venus Runtime: 1h 30min A low budget and lower aspirations do in this underplotted 1976 western, in which Fred Williamson does a passable imitation of Clint Eastwood, managing about 40 words of dialogue in the whole film. Larry Spangler directed, with more mismatched shots than are forgivable, even in these liberal times. PG, 75 min. Synopsis: Back from fighting for the Union in the Civil War, a black soldier becomes a bounty hunter to exact revenge on the white thugs who killed his mother. DAVID F. WALKER: Some evil racists make the mistake of killing Civil War veteran Joshua’s (Fred “the Hammer” Williamson) momma. In the process of killin’ Momma Hammer, they also kidnap the wife of the white man that she worked for. Now, I don’t need to tell you Joshua ain’t givin’ a rusty shit ‘bout the wife of no white man; but as anyone who’s seen ORIGINAL GANGSTAS knows, Fred ain’t havin’ that abuse of his momma. And quicker than you can say, “Don’t be messin’ wif my momma”, our main man sets out on a trail-o-revenge. Joshua tracks them no good varmints across the open prairie; and one by one he makes sure they all contract a serious case of the deaths. One sucka gets took out with a rattlesnake, one gets spear chucked, others get filled fulla lead, and one gets blown to smithereens. It all sounds pretty exciting…but it isn’t. Like director Jack Arnold’s BOSS NIGGER (which also starred Williamson), JOSHUA draws much of its inspiration from the European-produced spaghetti westerns, which had been popular in the 1960s, but by the 1970s had become increasingly dependent on comedy to keep the genre going. While BOSS NIGGER is a technically poor film, it is fun to watch, coming across like a blaxploitation version of Enzo Barboni’s TRINITY films. JOSHUA, on the other hand is reminiscent of spaghetti westerns from the mid-to-late 1960s, playing like a Franco Nero or John Garko film – something along the lines of MASSACRE TIME or VENGEANCE IS MINE, neither of which are all that good in their own right. But even by the standards of mediocre-to-crappy spaghetti westerns, JOSHUA isn’t all it’s cracked up to be, lacking the visual flare that fueled even some of the more craptacular Eurowesterns. While not being brain-melting terrible, JOSHUA ain’t exactly good either. The Hammer is the only saving grace to the film, but he doesn’t keep the film moving the way Charles Bronson propels the similar CHATO’S LAND. And pretty much all the moving this film does is at a turtle’s pace, thanks in part to Larry Spangler’s flat, uninspired direction. Spangler also produced Williamson’s first western, THE LEGEND ON NIGGER CHARLEY, and he wrote, produced, and directed the sequel THE SOUL OF NIGGER CHARLEY (neither of which comfortably rest in the realm of what might be considered “decent” films). But beyond Spangler’s lifeless direction, we also have Williamson’s script, which takes no chances and gives no dimension to the hero. And while a dimensionless hero may be somewhat acceptable, flat and stale villains can really weigh a movie down, which is just another part of this sorry state of affairs. COPYRIGHT: All of the films published by us are legally licensed. We have acquired the rights (at least for specific territories) from the rightholders by contract. If you have questions please send an email to: info.de

💥 The Muthers (1976) | Jayne Kennedy Threesome Begins | Juneteenth Action Feature | BlackTree TV Strap in for explosive action, female-led vengeance, and revolutionary flair as Jayne Kennedy headlines the cult classic The Muthers. As part of our Juneteenth Special Presentation, this gritty, tropical, guerrilla-style Blaxploitation gem taps directly into the spirit of freedom fighting, sisterhood, and resistance against systemic abuse—all core to the legacy of Juneteenth. 📽️ FILM SYNOPSIS: When revolutionary pirate queen Kelly (Jeannie Bell) learns her sister has been kidnapped and imprisoned at a sadistic jungle compound, she and her crew of gun-slinging women—including the fierce Marcie (Jayne Kennedy)—go undercover to rescue her. What unfolds is a radical jailbreak story full of combat, cunning, and female empowerment. Set against the backdrop of a tropical prison camp, The Muthers delivers raw action and anti-colonial overtones, channeling the fight for liberation from a woman-led perspective. 🎭 KEY CAST: • Jayne Kennedy as Serena — A groundbreaking actress, sportscaster, and beauty queen, Kennedy won Miss Ohio USA in 1970 and broke racial barriers on-screen and on-air. Known for her elegance and power, she brought poise and muscle to roles during the golden era of Blaxploitation. • Jeannie Bell as Kelly — The first African American Playboy Playmate (October 1969), Bell carved out her own path in martial arts action cinema. • Rosanne Katon and Trina Parks (of Diamonds Are Forever) round out the powerful ensemble of women warriors. 🎬 FILMMAKING TEAM: • Director: Cirio H. Santiago — A Filipino cult filmmaker famous for his work in exploitation and war films with a radical edge. • Writer: Cyril St. James • Production: New World Pictures (Roger Corman’s famed indie outfit) 📅 Release Year: 1976 ⏱️ Run Time: 84 minutes 🎞️ Genre: Action | Blaxploitation | Women-in-prison | Guerrilla Warfare ⸻ 🖤 Why This Film for Juneteenth? Juneteenth celebrates Black freedom from systems of oppression. The Muthers offers a metaphorical and literal rebellion as these women of color fight for their dignity, escape colonial captivity, and take back their power. Jayne Kennedy’s performance is a reminder that Black women have always been at the forefront of liberation—on screen and off. 🔔 Don’t miss any of the action —

An elderly gentleman goes for what he assumes will be an ordinary day at the amusement park, only to find himself in the middle of a hellish nightmare instead. Shot by George A. Romero between Night of the Living Dead and Dawn of the Dead, The Amusement Park is a bleak, haunting allegory where the attractions and distractions of an amusement park stand in for the many abuses that the elderly face in society. 4K digital restoration commissioned by the George A. Romero Foundation and carried out by IndieCollect. ===================================

The 25th Anniversary edition of Stankonia is out now 💥 Stream and get it on vinyl! Official HD Video for Diamond Remix of "Southernplayalisticadillacmuzik" by Outkast Listen to Outkast:

While investigating a child abuse case, a young social worker discovers that a supernatural entity is tormenting the family. To save the parents from losing custody of their child, she must confront her fears and use her clairvoyance to stop the malevolent force. Written and directed by brothers Burlee and Abel Vang (The Tiger’s Child.) They Live in the Grey stars Michelle Krusiec (Hollywood), Ken Kirby (Good Trouble, Dynasty), Ellen Wroe (For All Mankind, Shameless), Madelyn Grace (Don’t Breathe 2). Premieres February 17 on Shudder. ===================================

In Silly, Silly, But Not That Silly, María Nicolasa (La India María) decides to leave her peaceful hometown to look for work and better luck in the chaotic Mexico City. Upon arriving in the capital, her distinctive clothing, speech, and innocence make her the perfect target for schemers, con artists, and demanding employers. However, behind her apparent clumsiness and naiveté lies unmatched cunning and wit: María will know how to answer every abuse and trick the city throws at her, proving to everyone that she's anything but silly! Genres: Comedy, Crime Country of origin: Mexico Language: Spanish 🎬 Credits Block TONTA TONTA, PERO NO TANTO (1972) | Classic Mexican Comedy 🎥 TECHNICAL SPECS Director: Fernando Cortés Screenplay: Fernando Galiana, María Elena Velasco ⭐ MAIN CAST María Elena Velasco as María Nicolasa Cruz (La India María) Sergio Ramos "El Comanche" as El Comanche Anel as Lucy Héctor Herrera "Cholo" as El Cholo Alicia Montoya as Doña María