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Cane River is a 1982 American romantic drama independent film that was lost until its rediscovery in 2013 and its subsequent re-release in 2018 and beyond. It was written, produced, and directed by Horace B. Jenkins. The film features the lives of African Americans in the US state of Louisiana. While the film premiered in New Orleans, Louisiana, in 1982, Horace Jenkins died before the film could be released in New York City and beyond. The film was considered lost until a negative was recovered in 2013. Following its re-release, Cane River received critical acclaim. Highly rated on Rotten Tomatoes and Metacritic, it was lauded for its exploration of racial history and blending romance with political undertones. Despite some noted technical limitations, critics highlighted its pioneering portrayal of black experiences and its significance in American cinema. Storyline: Written, produced, and directed by the late Emmy Award-winning Horace B. Jenkins, financed by the prominent New Orleans' Rhodes family, and crafted by an entirely African American cast and crew - CANE RIVER is a historically informed love story set in Louisiana's Natchitoches Parish, a "free community of color." Aspiring writer and hopeless romantic Peter - former athlete and scion of an elite Creole family - returns to his hometown and immediately falls for a breathtaking historical tour guide, Maria. Maria's disenfranchised, darker-skinned family disapprove of Peter's family and condemn their burgeoning romance while highlighting the painful legacy of colorism in their tightly-knit community. The lovers must work through Peter's contentious family legacy as privileged, former slave-owning, light-skinned Creoles if they want their romance to survive. Synopsis: The New Orleans Film Society described the film, "Cane River is set near Natchitoches, in one of the first 'free communities of color.' Richard Romain plays Peter Metoyer, home to fight for his land, and Tommye Myrick plays the headstrong Maria Mathis, reluctant to succumb to his charms just because he's the scion of a famous family. Together they confront schisms of class, color and complexion within the black community that threaten to keep them apart and that still roil America today." Themes: Cane River delves into the intricacies of independence and the burdens of personal and collective history. A significant focus is placed on racial identities, emphasizing the interplay between race, complexion, class and societal structure. The economic disparities prevalent in society are not left unaddressed, along with the legacy of Black American history. The story also touches upon the nuances of forbidden romance, and the web of relationships that individuals navigate through. History, both personal and cultural, especially as it pertains to Louisiana, is a recurring theme, The film sheds light on the importance of personal and collective identity, intellect, and the significance of one's roots. Racial complexities and the trauma of slavery are meticulously explored, further delving into the caste systems that still have remnants in society. Themes of love are omnipresent, intertwined with land ownership and its implications. Lastly, the film brings to the fore conflicts revolving around class and skin color, emphasizing the significance of heritage. We do not own the rights to any of this film. This film is being used for historical and educational purposes only. No copyright infringement intended. Black Excellence:
Starring Tommye Myrick, Richard Romain, Barbara Tasker
Cane River

Bright Road is a 1953 low-budget film adapted from the Christopher Award-winning short story "See How They Run" by Mary Elizabeth Vroman. Directed by Gerald Mayer and featuring a nearly all-black cast, the film stars Dorothy Dandridge as an idealistic first-year elementary school teacher trying to communicate with a problem student. The film is also notable as the first appearance by Harry Belafonte, who costars as the principal of the school. Bright Road was groundbreaking for its positive and realistic depiction of Black professionals in a time when such portrayals were rare in Hollywood. Dandridge had been attracted to the lack of racial conflict in the story. She wrote that she was "profoundly fond of ... a theme which showed that beneath any color skin, people were simply people. I had a feeling that themes like this might do more real good than the more hard-hitting protest pictures. I wanted any black girl in the audience to look at me performing in this film and be able to say to herself, 'Why, this schoolteacher could be me.'" Alongside schoolteacher Jane Richards (Dorothy Dandridge) is Principal Williams (Harry Belafonte), who provides support as Jane seeks to inspire and uplift her students. The film is a touching portrayal of perseverance, the power of education, and the impact of dedicated Black educators on young lives. Synopsis: A young teacher helps a troubled student who's fascinated by a caterpillar's metamorphosis. After losing his sister and facing challenges, he proves himself by handling a bee crisis at school. Plot: A drama starring Dorothy Dandridge as a dedicated teacher in a rural African American community. The film explores her struggles and triumphs as she aims to inspire her young students, confronting societal challenges along the way. Review: "Bright Road" is a film that Hollywood decided to present with an almost all black cast, something that was not done often prior to the fifties and the arrival of such stars as Dorothy Dandridge, Harry Belafonte, and the man that would make it all possible for other performers of color: Sidney Poitier! The story is simple, and yet, it speaks volumes of what a good teacher can do to inspire the young people in her charge. Jane Richards is such a person. She sees the good bottled inside C.T. Young, the rebellious poor boy that, deep inside, is a wonderful youngster who has had no luck with other teachers in the school, who have made him repeat two years and haven't really seen the potential in him. Dorothy Dandridge makes a sweet, yet firm Jane Richards. She was a star that could do anything, as proved by her other films, most notably in "Carmen Jones". She was a beautiful presence in this film, who with her positive attitude changes and inspires her students. Tall and handsome Harry Belafonte is seen as the Principal in his screen debut. Dandridge and Belafonte are an attractive duo when they are onscreen together. Philip Hepburn played C.T. Young with conviction for such a small child. Bright Road showcases an inspiring tale of hope, resilience, and transformation. Through powerful performances and a compelling narrative, the film explores the challenges of education, love, and growth. CT's journey, symbolized by a caterpillar’s metamorphosis, reminds us of the importance of second chances and personal change. Don't miss this rare and beautiful moment in Black cinema history, a film whose message resonates as much today as it did in 1953. "Bright Road" is a charming film thanks to Ms. Dandridge and the direction of Mr. Mayer. We do not own the rights to any of this film. This film is being used for historical and educational purposes only. No copyright infringement intended. Black Excellence:
Starring Dorothy Dandridge, Philip Hepburn, Harry Belafonte
Bright Road

Director - Liam McRae Director - Theo Skudra Managing Director - Christian Tyler Executive Producer - Alex Dall'Orso Executive Producer - Cam Frengopoulos Producer - Amber Warus Production Manager - Connor Brown Production Coordinator - Sarah Ruest Production Coordinator - Wellington Warner 1st Assistant Director - Derek Robinson 1st Assistant Director (Studio) - Mario Aguilera 2nd Assistant Director - Rosa Mussa 3rd Assistant Director - Valentina Loaiza Director of Photography - Kelly Jeffrey Steadi-op - Connor Jarvie Steadi-op - Bruce William Harper Camera Operator B-Cam - Jan Ubeda Camera Operator C-Cam - Connor Jarvie Camera Operator - Luke Saagi 1st Assistant Camera (A-Cam) - Nick Petrie 1st Assistant Camera (B-Cam) - Brian White 1st Assistant Camera (C-Cam) - Murray Angotti 2nd Assistant Camera (A-Cam) - Benjamin Dabu 2nd Assistant Camera (B-Cam) - Kristin Mombourquette 2nd Assistant Camera (C-Cam) - Nicole Blanchard 2nd Assistant Camera (D-Cam) - Keenan Orrange Film Loader - Michael G Williams Film Loader - Janelle Body Film Loader - Simon McKee DIT/VTR - Pat McKeegan VTR Assist - Kwaku Apau Yirenkyi Gaffer - Phil Esteves Best Boy - Oscar Ayala Lighting Console OP - Rory Whelan Electric - Bart Kochman Electric - Cody Clay Electric - Rocky Milone Electric - Ryan Richey Package Truck - Ryan Harris Package Truck Driver - Kristos Anagnostopoulos Key Grip - Adam McDonald Best Boy Grip - Craig Campbell Dolly Grip - Ronnie McDonald Grip - Jake Bowman Grip - Sonny Bowman Grip - Jay Hennessey Grip - Vatasal Kachalia Grip - Scottie Smith Grip - Zack Zois Key Rigging Grip - Far Dadashzadeh Best Boy Rigging - Chris Davies Grip (Rigger) - Bridgit Lanni Grip (Rigger) - Roman Sawicki Jr. ST 50 - Paul Cameron ST 50 - Alex Gayford M7 - Alan Thatcher Falcon Remote Head Tech - Alastair Sinclair F32 Crane Op - Nikita Zolotarov LRX Operator - Ken Drummond Balloon Tech - Daniel Dutka Precision Driver - Mark Cabiddu Flight Head Tech - Alastair Sinclair U-Crane Arm Operator - Nikita Zolotarov Playback Technician - Voice Gajic Production Designer - David Dennis Art Director - Michael Cameron Set Decorator - Nikhil Venugopal Set Dresser - Mohamed Abdu Set Dresser - Arantxa Mirabal Set Dresser - Aatish Moon Props - Cam Ward Stunt Coordinator - Dan Iaboni Stunt Assist (Rigger) - Derrick Rabethge Location Manager - Benjamin Koffman Location Manager - Scott Hizaka Assistant Location Manager - Arty Mikusik Key Craft (Crew Truck) - Mitchel Veinimit Craft Assist (Crew Truck) - Sabrina Betti Craft Assist (Crew Truck) - Vida Paredes Craft Chef (Talent Truck) - Ammar Kapasi Craft Assist (Talent Truck) - Tuba Aman Key Craft - Mahrokh Norouzi (Mimi) Craft Assist - Kiki Jones Craft Assist - Melwin Byju Key Craft - Benjamin Lee Craft Front - Jamshid Tajdolat Craft Assist - Aria Noori EMT - Shane Monteiro Key Production Assistant - Anna Champion Production Assistant - Rai-Sean Greenidge Production Assistant - Metawi Woldeselassie Production Assistant - Shawn Picco Production Assistant - Zoe Robinson Production Assistant - Piper Jones Production Assistant - Natalie Levesque Production Assistant - Emma Meriano Production Assistant - Daniela Rojo Production Assistant - Kayla Foisy Production Assistant - Asock Kandiah Production Assistant - Riverland Jones Editor - Nic Houghton Colourist - Simon Boisx Music video by Drake performing National Treasures.© 2026 OVO, under exclusive license to Republic Records, a division of UMG Recordings, Inc.
Drake - National Treasures

Download/Stream: Follow sombr: Instagram: TikTok: Website: STARRING: sombr Inde Navarrette Josh Heuston Credits: DIRECTOR Gus Black DIRECTOR'S ASSISTANT Christian Osagiede DIRECTOR REP. Kelly Norris Sarno / Agency Arts EXECUTIVE PRODUCER Miles Carlile HEAD OF PRODUCTION: Lukas Lennon PRODUCER Aiden Magarian PRODUCTION MANAGER Dylan DeLuca PRODUCTION COORDINATOR Florian Dieret TALENT COORDINATOR Tyler Bice 1ST AD Daniel Bennaiem 2ND AD Brandon Murphy 2ND 2ND AD Drew Despres DIRECTOR OF PHOTOGRAPHY Corey Waters 1ST AC Jordan Pellegrini 2ND AC Ted Buerkle, Cameron Keidel STEADICAM OPERATOR Bill Hunt GAFFER Axel Lanzenberg BBE/HYPHENATE Tony Cantor ELECTRIC Hunter Laizure, Trevor Mitchell, Dwayne Lyon, Brent Wilson, Dalton Groves KEY GRIP Chris Stalworth BBG Chris Pevey GRIPS Mike Arzaga, Chris Covalski, Bobby Ikeda HYPHENATE Johnathan Gonzalez PRODUCTION DESIGNER Olivia McManus ART COORDINATOR Ciara Flynn SET DECORATOR Kerrie Scher PROP MASTER Geoff Turney LEADPERSON Jonathan Hirsch DRESSER / DRIVER Alex Fox ON-SET DRESSER Jenny Situ ART PA Claire Smith WARDROBE STYLIST - BACKGROUND Jai Simmons WARDROBE ASSISTANT - BACKGROUND Max Mendieta HMU/SPFX Tara Rey CASTING DIRECTOR Copelan Cash VTR Hayk Margaryan SOUND/PLAYBACK Josh Haycraft LOCATION SCOUT Jason Benfield LOCATION ASSISTANT Steve Tavernier DRIVERS - GLAM VAN Marcela Osegueda, Marshaun Robinson DRIVER - PRODUCTION SPRINTER Terrance Martin PICTURE VEHICLE DRIVER Charles Everett Mayhew MEDIC Mark Maunder CRAFT SERVICE Viviana Terriquez, Leslie Portillo CATERING Chef’s On The Run CHEF / DRIVER Charlie Yusta CHEF ASSIST. Dylan Ornelas, Cody Webb, Hector Alvarez PRODUCTION ASSISTANTS Peter Sanchez, Dale Cosio, Jessica Khatib, Charles Alexander, Ryan Davis, Phillip Bowen, Alexis Wade, Anthony Herrera, Marcel Sorza, Julio Mejia sombr Glam STYLIST Brandon Tan STYLING ASST Jessie May, Makayla Godden GROOMER Tanya Alian Inde Navarrette Glam STYLIST Enrique Melendez STYLING ASST Alyssa Rabie, Andrew Murphy TAILOR Lisa Hoang MAKEUP ARTIST Kayli Davis HAIR STYLIST Eduardo Mendez Josh Heuston Glam STYLIST James Yardley GROOMER Candice Birns EDITORIAL COMPANY MakeMake EDITOR Alyssa Oh ASSISTANT EDITOR Sawyer Nicoll POST PRODUCER Aymi Sanchez EXECUTIVE POST PRODUCERS Meagen Carroll & Dani DuHadway Spagnoli HEAD OF PRODUCTION/MAKEMAKE Ashley Bartell & Alexa Berman PRESIDENT/MAKEMAKE Eve Kornblum VICE PRESIDENT/MAKEMAKE Dre Krichevsky AUDIO POST HOUSE Eleven Sound AUDIO MIXER/SOUND DESIGNER AJ Murillo AUDIO POST MIX PRODUCER Taylor Sargent COLOR BY Modern Post COLORIST Myles Bevan COLOR PRODUCER Brian Corey COLOR ASSIST Chandler Evans VFX Zeke Faust BEAUTY Hush Beauty BEAUTY EP/SUPERVISOR Daniel Saldivar HUSH PRODUCER Cedre Marquez HUSH COORDINATOR Sofie Azamar TITLES Metals VIDEO COMMISSIONER Devin Sarno CREATIVE MANAGER Andrew Reid CREATIVE CONSULTANT Amelie Boose Lyrics: It’s the Fourth of July My friends wanna catch the tide How I wanna go, but I’ll stay home Wish you could stay the night But I am scared of the light I don’t want you to go (oh-oh-oh) I like you but my body isn’t ready I want you but the mirror won’t let me I try to be the person you’re expecting But I’m not ready, I’m not ready And now I’m out of school And I met someone knew Does she just like me for the things I do Now I’ve got nothing to prove But my mind still goes back to you And being young and having nothing to lose I like you but my body isn’t ready I want you but the mirror won’t let me I try to be the person you’re expecting But I’m not ready, I’m not ready If I could crawl out of my own skin would you let me in? If we could just be those kids again, maybe I could swim I like you but my body isn’t ready I want you but the mirror won’t let me I try to be the person you’re expecting But I’m not ready, I’m not ready I like you but my body isn’t ready I want you but the mirror won’t let me I try to be the person you’re expecting But I’m not ready, I’m not ready
sombr - My Body Isn't Ready

The "Harness Your Hopes" official music video, directed by Alex Ross Perry and starring Sophie Thatcher. "Harness Your Hopes" is featured on the re-issue of the 'Spit on a Stranger' EP, out now on Matador Records. Pre-order here: Revisit all of the original Pavement videos here: Lyrics: Harness your hopes on just one person You know, because a harness was only made for one Don't telegraph your passes, you'll end up with molasses Cauterized in syrup and syrup's not molasses And I'm checking out the asses, the assets that attract us To anything that moves, we're deep inside the groove And it's time to shake the rations 'cause someone's gonna cash in The movie starts at ten, the plot, it never ends Well, show me a word that rhymes with pavement And I won't kill your parents and roast them on a spit And don't you try to etch it or permanently sketch it Or you're gonna catch a bad, bad cold 'Cause the freaks have stormed the White House I lived inside a lighthouse It's on a scenic quay, it's, oh, so far away Far away from the beginning, the shroud is made of linen The goth kid has a hearse, the filly lost her purse Nun is to church, as the parrot is to perch And my heart's wide open, truly Leisure, a leisure suit is nothing It's nothing to be proud of in this late century And I'm asking you to hold me just like a morning paper Pinched between your pointer, your index, and your thumb It's a semi-automatic, believers are ecstatic You see the way they cling, the cold metallic sting And I'm living in a coma for Donna de Varona The harness made of hopes, the lovers on the ropes Earth-shaking, rattle-snaking Kiwis are a-home baking Minds wide open, truly Pavement: Matador Records: Credits: Starring Sophie Thatcher Director: Alex Ross Perry Producers: Bruno Vernaschi-Berman and Daniel April Co-Producers: Meg Vatterott and Eduardo Sobrino Director of Photography: Hil Steadman Production Designer: Emily Steiker-Epstein Art Assistants: Effie Frank and Bryan Duffy 1st AC: Colin Morris 2nd AC / Loader: Jade Alexia Gaffer: David Williamson Key Grip: Jonas Hayes Stylist: Holly McClintock Hair / Make-Up Design: Meraly Lopez Editor / Colorist / Archivist: Robert Kolodny Stills: Nikki Moriello Rear Projection: Rooftop Films, James Martin, John-Phillip Faienza Film: Kodak Scanning & Processing: Metropolis Film Works and Kodak Film Lab NYC Special Thanks to Gabe Spierer, Jay Giampietro, Matt Atwood, and Craig Butta A Penguin Fiasco and Gummy Films Production
Pavement- Harness Your Hopes

J. Cole - The Fall-Off is available on all platforms now: Connect with J. Cole: Directed by Ryan Doubiago DOP : Ryan Marie Helfant Produced by Obvious Executive producers : Maximilien Rivolet & Adam Ouaddah With Canada Creative Producer : Callum Harrison Label : Dreamville Management : Ibrahim Hamad Creative studio : The Fiends Production NY : Paradoxal residency Executive producer : Gaetan Rousseau Line Producer : Olga Kotova Production Manager : Dima Bocharov Production Assistant: Tristen Ramirez Production Assistant: Blaise Cange Production Assistant: Sunny Vazirani 1st AD : Tom Gates 2nd AD : Alex Woods 1st AC : Evan Walsh 2nd AC : Amanda Uribe DIT : Zack Sainz VTR : Nick Esposito Gaffer : Ki Hwang BBE : Michel Samuel Electric : Josh Kraszewski Key grip : Yulio Yurnet BBG : Christopher Yurnet Grip : Andrew Tank Rivara Art Director: Hans Maharawal Casting Director : Olga Kotova Stylist : Natasha Hester Assistant stylist : Marion B Kelly III Groomer : Karol Rodriguez Techno crane : Reality VFX Techno crane operator : Anthony Jacques Type Designer : Walter C. Barnett Post production house : Orage studio Post producer : Lola Bellini EDIT Editorial : Rock Paper Scissors Editor : Gwen Ghelid Assistant Editor : Justin Marquez Post Producer : Aymi Sanchez HOP : Dani Spagnoli Executive Producers : Dre Krichevsky & Shada Shariatzadeh Managing Director : Eve Kornblum Colorist : Baptiste Vielliard Color grade assistant : Romain Livenais VFX : Orage studio VFX supervisor : Leo Metayer VFX artists : Louis de Rolland, Flavio Fernandes, Jeremy Michel, Romain Livenais, Julie Hervieu and Laura François 3D scan lead : Adrien Bavant SDRN 3D scan operator : Yehoshuah Sejour SQUAD : Michael Williams, Terril Kirk, Kevin Stocks, Matthew Fisher, Rashad Campbell, Andre Johnson, Kevin Ogletree, Richard Campbell, Steven Francis Extras : Faith Rodriguez, Julian Wellington, Nadia Casimir, Kedas Ishmel, Tiana Walsh, Lady Jay, Melody Iro, Kimberlyn Rodriguez, Jordan Blair, Johanna Malary, Riza Baah, Nurda Luchanthuk Kids : Kaleb Hopkins, Robert Williams Director’s PA : Kiva Corshen MVP : Matthew « Matty P
J Cole - The Fall-Off is Inevitable

Presenting Superhit Hollywood Action Movies (English Movies, Thriller Movie, Free Movie) "CHASE". Exclusively on .
CHASE - Hollywood

J. Cole - The Fall-Off is available on all platforms now: Connect with J. Cole: Director: Simon Chasalow Production Company: Parallel Studios x Freenjoy Executive Producers: Jermaine Cole, Ibrahim Hamad Executive Producers: Simon Chasalow, Tony Pillow, Anuar Aly Producer: Tali Weizman Producer: Sergio Vaccaro Producer: Nathan Scherrer Post Producer: Alex Peterson Creative Director: TJ Sawyerr Creative Director: Elliot Hensford Production Manager: Natalle Jastrow Writer: Simon Chasalow Writer: Andrew Cigna DP: Cory Burmester Production Designer: Michael Younker VFX Supervisor: David Taylor Kyles The Fall-Off Creative Directors: Scott Lazer and Felton Brown The Fall-Off Art Director: Walter Barnett The Fall-Off Digital: David Peters Fayetteville Ground Team: Mike Shaw, RJ, Tim Dudley Fayetteville Unit DP: Garrett Hoffmann Hope Mills Unit DP: Joji Baratelli Terry Sanford Unit DP: Jeremy Herron 1st AD: RJ Collins 2nd AD: Landon Watford Production Logistics: John Cole 1st AC: Paul Wiedt 2nd AC: Seth Lewis Black Arm Driver + Ronin Op: Nick Cocuzza Gaffer: Tristan Moffatt BBE: William Sozanski Electric: Giorgio Palermi Electric: Anthony Riggi Electric: Robert Poisella Key Grip: Robert Powell BBG: Parker Crumbly Grip: Steve Allen Grip: Chad Hoyle Art Director: Shannon Malone Set Dresser: Fess Rice Set Dresser: Grace Bilbao Set Dresser: Anthony Aguirre Art Assist: Amanda Rudd Art Assist: Olivia Steed Picture Car Driver: AJ MUA: Adriana Wright Hair Stylist: Timesha Akoni Wardrobe Stylist: Melissa de Leon Wardrobe Assist: Tiana LePlatte Wardrobe Assist: Emma Smith SFX: Jeff Loy SFX: David Hill SFX: Billy Daniel Casting Director: Allison Twardziak Casting Coordinator: Elizabeth Hay Security Detail: Icon Global Security Security Captain: Elijah Shaw Security Guard: Vantrell Wilson Production Assistant: Jake Wishard Production Assistant: Kurt Schlachter Production Assistant: Aliyaah Jackson Production Assistant: Amber Darden Production Assistant: Timothy Hunt Los Angeles Unit: Production Operations: Katherine Ostrovskiy PD: Cody Fusina Set Decorator: Natasha Parbhu Female Actor: Tolulope Afolabi Male Actor: Oghenetega Mofe-Damijo Post Production Company: Apollo Post House Head of Post & Post Producer: Alex Peterson VFX Coordinator: Daniel Pianezza Editor: Zack Pelletier Sound Design & Mix: Ayo Douson VFX Artist & CG Lead: Le Jumper VFX Artist/GFX Artist: Keziah 2xvroum VFX Artist/GFX Artist: David Castellanos Markethouse CG Lead & Modeling: Ben Gillespie Markethouse CG & Comp: Nicholas Cravedi Title Animation: Nik Arthur Title Design: Anna Chandler Title Animation Assistant: Kayli Koonar Credit Design & Animation: Anna Chandler Artist Agent: Ben Wittkugel (Ploeg Arts) The Fall-Off Logo Design: Vlad Sepitov The Fall-Off Logo Animation: Leo Metayer Color Studio: Royal Muster Senior Colorist: Mikey Pehanich Executive Producer, Color: Alexandra Lubrano Producer: Ryan Moncrief Associate Producer: Alex Ponce Color Assists: Zack Wilpon, Patrick Badescu, Amonnie Nicolas Post Credits Color: Aubrey Woodiwiss Post Credits Color Producer: James Gooding Compositor: Ben Morse Compositor: Kyle Belko Compositor: Mikaiel Russ Clean Up: Noa Graphics Roto, Key, and Track: Tanvir Hossain Film Dev and Scan: Fotokem Talent: J Cole: J Cole Cole on Roof: Matthew Williams Mom: Louisa Nicole Bohannon Paper Boy: Josiah Benson Young Cole: Kyron Macklin Stewart Villain: Derrick Hardy Woman With Grills: Betal Asfaha 18-Yo Cole: Abraham Holloway Henchman: Deget Bundlez Wife of Villain: Maya Brim Trailer Home Cole: Isaiah Evans 20-Yo Cole: Kendell Sheffield PFG Nervous Reck Lute Ibrahim Hamad Extras: Jaleah McBryde Ciara Wilson Brandon Haplems Daniella Westover Kayla McMillian Jocelyn Perkins Ashley Lee Tiffany Thomas Suzanne George Carolina Juanico Darren Clark Autumn Millner Alysia Lopez Damarion Bly Thaddaeus Barbee Robert Grace Brandon Simmons Altwan Anderson Antwon Richmond Kendall L Worthay Kareem Morrison Jacques Willis Alonzo Rogers Duane West Delfin Vega Dwayne Purcell Dwayne Purcell Jr LeKniles Oliver Victor Daushert Connect with Dreamville:
J Cole - Two Six

After a shocking photo of a young woman is found inside the twisted metal of a fatal car crash, veteran detective Emory Lloyd must risk everything to identify and find the woman before it's too late. 2010. Stars: Devon Sawa, Judd Nelson, Joey Lauren Adams **This film is under non-exclusive license from Framerate Technologies LLC. All rights reserved** *
Starring Ladarius Brimage, Adrian White, Tryneal Addison
The Endure

Watch the official music video for mgk & 's "mph" Stream "blog era boyz now: Follow mgk: IG - TikTok - Facebook - Discord - X - Newsletter - Website - Follow Wiz Khalifa: X - FB - IG - TikTok - Discord - Website - Newsletter - Twitch - LYRICS: Yeah, let’s go I’m really about to get wicked im coming for payback And adding interest I’m about to put prices on all of you bitches Yeah let’s go Fuck it I’m about to go sicko I got a blue check in the streets I’m official I’m putting a five to your face like a nickel, bitch Stackin up multiple M’s like a Maybach Pendant got multiple gems they won’t chain snatch I know they look in the mirror and hate that I look in the mirror I wouldn’t trade that Momma told me I was fresh as a fetus I hopped out of the hospital bed in Adidas And I like to fuck but that isnt a secret My dick is so thick haters hop on my penis I like a centerfold, I tell her drop and roll I’m smoking double Dutch I’m from the double O I went triple platinum with the city in my fitted hat Took a pair of twins to the back and made a triple stack Tripled the amount of what you thought I had and triple that Triple down on anything I said I never took it back Say some do some put them down like two thumbs I watched all y’all eat, I ain’t giving y’all no crumbs I got a new bitch with some matchin acrylicsA batch of new hundreds to buy me some vintage A clip with extensions if anyone trippin I dont need a cure bitch im down with the sickness Don’t get me started If you ain’t gonna finish I’m done with the friendship I’ve been in the business We are all in the game, but im not even playing my albums coming, this only a scrimmage (wiz) Try to tell me to quit when I roll up my medicine, but I’m sicker then them when I pick up my pen Ain't no question you know I’m a veteran and I’m still getting rich because I don’t just spend I got a whole lot I’m invested in Reppin Taylor Gang over her once you get in aint no gettin out dog its indefinite Never sold my soul for no record spends Always putting out kush where my breakfast is Always jump in a pool with a naked bitch I’m who they recommend, Ice on my necklace show me the boss I don’t care what the level is number one im where the metal is Rollin somethin with the homies in the cut im in my element Got baddies with badder friends She a angel, but with me she get devilish. I like them classy and ghetto one’s black and one's yellow cause that’s what I represent. I got a pack in the mail when the UPS driver come up the hill let em in my niggas so rowdy my bitch is so quiet we party but don’t need no evidence Fuck the whole world what I’m really on I don’t need friends no more I’m making enemies Neck full of stones It look like infinity And you can’t fuck with me that’s your virginity Niggas ain’t tough even though they pretend to be I got some Niggas who in the street I got some Niggas who do this shit literally I got some YN’s who ready to drill for me Be around real ones who keep the same energy (mgk) yea Fuck a hook We don't got time for that Foot on the pedalRock out like its heavy medal Im hittin the gas on em Machine and whistle man dropping on you hoes Hold up fuck that im going in That’s shit cool, but it don’t slide like me Y’all got ice, but it ain’t fire like me Kimbo Slice I’m going 123 “suck my dick” is on my state ID That’s shit cool, but it don’t slide like me Y’all got ice, but it ain’t fire like me Kimbo Slice I’m going 123 “suck my dick” is on my state ID Music produced by E. Dan and Isaac Dan Music video directed by: Sam Cahill
mgk & Wiz Khalifa - mph

Winner — Venice Days 2019. Official Selection TIFF 2019, Sundance 2020. Indignant retired general Enrique finally faces trial for the genocidal massacre of thousands of Mayans decades ago. As a horde of angry protestors threatens to invade their opulent home, the women of the house—his haughty wife, conflicted daughter, and precocious granddaughter—weigh their responsibility to shield the erratic, senile Enrique against the devastating truths being publicly revealed and the increasing sense that a wrathful supernatural force is targeting them for his crimes. Meanwhile, much of the family’s domestic staff flees, leaving only loyal housekeeper Valeriana until a mysterious young Indigenous maid arrives. A tale of horror and magical realism, the film reimagines the iconic Latin American fable as an urgent metaphor of Guatemala’s recent history and tears open the country’s unhealed political wounds to grieve a seldom discussed crime against humanity. LA LLORONA marks Bustamante’s third feature and demonstrates his continued efforts to highlight social inequality in his native Guatemala following his previous titles TEMBLORES (2019) and IXCANUL (2016). Cast: Maria Mercedes Coroy (Ixcanul), Margarita Kenefic, Sabrina de la Hoz, Julio Diaz. Co-written and directed by Jayro Bustamante Premieres August 6 only on Shudder ===================================
La Llorona - Trailer

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